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EACH ORANGE HAD EIGHT SLICES

Name: EACH ORANGE HAD EIGHT SLICES
Author: Paul Giganti Jr.
ISBN: 0-688-10428-2

A COUNTING BOOK

by Paul Giganti Jr. & illustrated by Donald Crews ‧ RELEASE DATE: March 27, 1992

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In the style of Giganti and Crews's How Many Snails? (1989), 11 opportunities for children to begin to grasp the concept of multiplication—or simply to count items that may mount into the 50s. The tone is unabashedly didactic: "Each duck said, `QUACK, QUACK, QUACK.' How many [big] ducks...? How many baby ducks...? How many `QUACKS' were there in all?" This may sound textbook- like, but plenty of other lessons are introduced in picture book format—so why not basic math? Giganti does leave young readers to make certain discoveries—e.g., the big and little ducks must first be combined if the total number of "quacks" are to be derived by multiplying. Crews's crisp, bright double spreads educate the eye to color and design while keeping the numerical component of his illustrations absolutely clear. A humorous final touch: the riddle about the man going to St. Ives—the context increases the difficulty! Unusually handsome and useful. (Picture book. 3-8)

Pub Date: March 27, 1992

ISBN: 0-688-10428-2

Page Count: 24

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

Categories:

CHILDREN'S CONCEPTS

- BOOK REVIEW
HOW MANY BLUE BIRDS FLEW AWAY?
by Paul Giganti Jr. & illustrated by Donald Crews

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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LOVE FROM THE CRAYONS

by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019

As ephemeral as a valentine.

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Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)