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ALEXANDRIA

Imaginative, moody, brilliantly written—vintage Kingsnorth, that is, and a boon for readers of speculative fiction.

Kingsnorth completes his quirky trilogy of novels set in the Norfolk fens with a post-apocalyptic story of the far future.

As The Wake (2015) opened with events of a thousand years ago, so Kingsnorth’s latest opens a millennium from now, “nine hunnerd years since Atlantis fell, since Alexandria was built.” His protagonists are part tribe, part religious community who survive in the marshes after civilization’s collapse and remember the distant past in chants and invocations: “Now World shall be as it should / For Machine is come” they sing of “the reign of Man.” They are not alone in the fens: A “Catt”—the hidden, dangerous figure that lurks in both The Wake and Beast (2017)—has been spotted, scaring some but not all; says an awestruck character named El, “every day now i am goin to Tree and lookin for him.” Kingsnorth’s characters speak in patois, blending prose poem and verse, calling to mind Russell Hoban. When the young acolyte named Lorenso comes into contact with another lurker, though, a red-cloaked figure of monstrous visage called K., the language shifts into the sturdy standard English of the present. The reasons aren’t quite clear for that, but Kingsnorth deserves points for the hat trick of writing the three novels in the series in distinct linguistic registers that suggest past, present, and future. K. instructs Lorenzo in the error of human ways: “Man was tempted, Man took power over all life. This is your fragmentary, mythologised version of what happened more than a millennium ago. You have now seen a little of what the exercise of that power amounted to.” He promises the rewards that the celestial city of Alexandria and its divine ruler, Wayland, offer, but alas, that god appears to be dead or just not listening, and the shape-shifting, quick-thinking K. finds himself stuck with the rest of what has survived of the tribe, moored in the muck and mire, but to oddly optimistic ends.

Imaginative, moody, brilliantly written—vintage Kingsnorth, that is, and a boon for readers of speculative fiction.

Pub Date: Oct. 20, 2020

ISBN: 978-1-64445-035-2

Page Count: 408

Publisher: Graywolf

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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MY NAME IS EMILIA DEL VALLE

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.

Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

Pub Date: May 6, 2025

ISBN: 9780593975091

Page Count: 304

Publisher: Ballantine

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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