Lisicky built, and rebuilt and rebuilt, until it felt good to be in his skin. Famous Builder shows the same urge to grapple...
In an offbeat memoir, Lisicky (Lawnboy, not reviewed) takes dense, obsessed bites from his past and deposits them at the feet of his readers for them to marvel over how he got from there to here.
While growing up in southern New Jersey during the 1960s, in a world of sprawling housing developments, Lisicky wants to be a great builder, like Bill Levitt: “I want those who drive through my communities to be socked in the head with the sheer beauty of all they see.” (Later, when he meets Levitt—or is this just a piece of creative nonfiction?—he says to the mogul, “You gave style to the masses,” and the builder responds: “The masses are asses.”) He’s aware of the stress under Levitt’s veneer, but Lisicky hopes to imbue his work with elegance and understated good taste. He: “All developers do is rip people off. I’m going to be a musician and a composer.” And he does, changing over from construction to liturgical composition, not that the housing developments haven’t left their mark. Through his teens and early 20s, he writes church music—his work is even published—and he discovers a gay sexuality. The sexuality survives, but not the future in music: it had felt right when the church was as much about hope as fear; but now, in its conservative Dark Ages, he asks how he could “ignore charges of colluding with the enemy” should he return to liturgical composition. There are riffs on neighbors, clothing, and college, each snapping the reader to attention after having been lost in one of Lisicky’s long, atmospheric tableaux of family—where the warmth of the reflections and steady pulse of humor suggest Lisicky wasn’t an unhappy boy, nor an unobservant one.
Lisicky built, and rebuilt and rebuilt, until it felt good to be in his skin. Famous Builder shows the same urge to grapple and illuminate.Pub Date: Oct. 1, 2002
ISBN: 1-55597-369-8
Page Count: 200
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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