by Paul Lynch ‧ RELEASE DATE: May 12, 2015
Lynch evokes so many shades of guilt, pride, innocence, righteousness, and punishment that the book might help found a...
Life turns brutally cruel for a farming family of three in 1940s Ireland in this sad, haunting novel from a writer with a gift for language and character.
“It was the beginning of darkness” are the opening words, a telling phrase that also tells the time of day when Barnabas Kane and his hired hand, Matthew Peoples, rush from their fields at the signs of a fire. The building housing 43 cows is ablaze; Matthew would never have entered without the hand of Barnabas pushing him. So begins to swirl a maelstrom of unrelenting misfortune for the family Kane, the name echoing the Bible’s first murderer. The family has scant capital and no insurance coming because Barnabas canceled it in a prideful moment. Seeking help among the community, he encounters suspicion that he had a hand in Matthew’s death as well as the perverse rejection of anyone not born in and unmoved from the area (Barnabas is local but spent some years in New York before returning). Having done something sinful, Billy Kane, 14, fears he may have indirectly caused the fire to be set. Whether it was arson and who struck the match provide one thread of suspense. The other arises, as it can in the book of Job, from wondering what in God’s name the devil will come up with next. Even Eskra Kane’s bees are victims of slaughtering wasps that then assail her body and unhinge her mind. An accidental death also propelled Lynch’s first novel (Red Sky in Morning, 2013, etc.), a blunter retribution tale that calls to mind the stark cruelty of Cormac McCarthy. With his second novel, Lynch has a Seamus Heaney ear for the sights and sounds of rural life, making his prose thick and jagged, sometimes ponderous and often evocative.
Lynch evokes so many shades of guilt, pride, innocence, righteousness, and punishment that the book might help found a religion or maybe restore one’s faith in a deity that could make a fine writer with one hand even if he unmade the Kanes with the other.Pub Date: May 12, 2015
ISBN: 978-0-316-37641-9
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Feb. 16, 2015
Kirkus Reviews Issue: March 1, 2015
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by Paul Lynch
BOOK REVIEW
by Paul Lynch
BOOK REVIEW
by Paul Lynch
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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