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THE AGE OF BOWIE

HOW DAVID BOWIE MADE A WORLD OF DIFFERENCE

Bowie still deserves a full-dress serious biography, which would benefit from a touch of this book’s reckless spirit.

A lengthy critical tribute to David Bowie’s pop-cultural legacy, with a particular emphasis on his epochal 1970s work.

This book by British musician and longtime pop-music writer Morley (Earthbound, 2013, etc.) is a deliberately disorganized affair. The author opens with long, often shapeless encomiums to the singer’s shape-shifting persona along with first-person gassing about his response to Bowie’s death in early 2016; he’s nearly 80 pages in before he begins delivering conventional biographical information about Bowie’s birth and upbringing. “I blame Bowie,” he writes. “He made me think this way. He made me write this way.” Morley knows his subject well, though, and once he’s settled into a narrative groove, he delivers thoughtful treatments of the earliest stages of Bowie’s career, and he has a knack for finding a rational thread for each of Bowie’s peculiar shifts in the 1960s and ’70s. An early novelty tune, “The Laughing Gnome,” is “Bowie testing all sorts of tolerances”; with his breakthrough 1971 album, “Hunky Dory,” he’s “transcending the fraught categories of male and female”; 1973's “Aladdin Sane” is “the rock album the Rolling Stones would make if they were into Brecht, Brel, Burroughs, and Ballard.” Morley foregrounds Bowie’s art over his biography: he’s less interested in why, for instance, in the ’90s, Bowie sold bonds backed by future royalties or took a role in the cult film Labyrinth than in how such moves fit with a persona afraid to ever look redundant. Morley is too often reflexively approving of everything Bowie did, and sometimes his prose slackens into nonsense (“another centre in a story filled with centres, but one that can be placed at the very centre of those centres”), but his year-by-year race through his subject’s work is often inspired, matching a grasp of history with keen critical assessment.

Bowie still deserves a full-dress serious biography, which would benefit from a touch of this book’s reckless spirit.

Pub Date: Aug. 9, 2016

ISBN: 978-1-5011-5115-6

Page Count: 496

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 19, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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