Bowie still deserves a full-dress serious biography, which would benefit from a touch of this book’s reckless spirit.
A lengthy critical tribute to David Bowie’s pop-cultural legacy, with a particular emphasis on his epochal 1970s work.
This book by British musician and longtime pop-music writer Morley (Earthbound, 2013, etc.) is a deliberately disorganized affair. The author opens with long, often shapeless encomiums to the singer’s shape-shifting persona along with first-person gassing about his response to Bowie’s death in early 2016; he’s nearly 80 pages in before he begins delivering conventional biographical information about Bowie’s birth and upbringing. “I blame Bowie,” he writes. “He made me think this way. He made me write this way.” Morley knows his subject well, though, and once he’s settled into a narrative groove, he delivers thoughtful treatments of the earliest stages of Bowie’s career, and he has a knack for finding a rational thread for each of Bowie’s peculiar shifts in the 1960s and ’70s. An early novelty tune, “The Laughing Gnome,” is “Bowie testing all sorts of tolerances”; with his breakthrough 1971 album, “Hunky Dory,” he’s “transcending the fraught categories of male and female”; 1973's “Aladdin Sane” is “the rock album the Rolling Stones would make if they were into Brecht, Brel, Burroughs, and Ballard.” Morley foregrounds Bowie’s art over his biography: he’s less interested in why, for instance, in the ’90s, Bowie sold bonds backed by future royalties or took a role in the cult film Labyrinth than in how such moves fit with a persona afraid to ever look redundant. Morley is too often reflexively approving of everything Bowie did, and sometimes his prose slackens into nonsense (“another centre in a story filled with centres, but one that can be placed at the very centre of those centres”), but his year-by-year race through his subject’s work is often inspired, matching a grasp of history with keen critical assessment.
Bowie still deserves a full-dress serious biography, which would benefit from a touch of this book’s reckless spirit.Pub Date: Aug. 9, 2016
ISBN: 978-1-5011-5115-6
Page Count: 496
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 19, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
