IVORY

Smith’s eco-thriller follows two unlikely allies as they attempt to take down an international ivory-trafficking syndicate that’s leaving endangered elephants on the brink of extinction.

After seeing his mentor get murdered by a rival gang, Chinese ivory smuggler Ming Wei vows to spend the rest of his existence attempting to atone for his depraved past by taking down an illegal ivory-trafficking syndicate and (he hopes) saving countless elephants in the process. (“The lingering horrors of the night, the death of a mentor—they wouldn’t fade without meaning. Ming Wei would step into the light, becoming the informant he never thought he could be, fueled not by guilt, but by a sense of purpose.”) In East Africa, Kenyan conservation officer Zara Okonkwo is futilely trying to protect the elephants in her sanctuary from poachers who are shockingly well organized and always seem to have inside information. Okonkwo suspects that her boss, Samuel Kimani, the head of the Kenya Wildlife Service, is working with an international organized crime ring and is profiting from the slaughter of the gentle giants. After confronting Kimani, Okonkwo is predictably suspended. When the Chinese police and Interpol get involved and pair Wei and Okonkwo together in an investigation to uncover the mysterious leader behind the globe-spanning operation, the former smuggler and courageous conservation officer learn they’re up against an organization much bigger and more powerful than they ever imagined. While the narrative’s setup is a compelling hook, the storyline has two major flaws: two-dimensional characters and an overuse of sensationalized dialogue. Wei and Okonkwo are only superficially developed—their lack of backstory and depth (apart from their unwavering dedication to their cause) precludes an emotional connection with the reader. The stilted dialogue, filled with far too many melodramatic declarations, renders the characters even more shallow; a surfeit of lines like, “today, we fight for justice. For Ming, for the elephants, for the future” quickly lose their impact.

The premise is powerful, but thin characterizations make for an emotionally disconnected read.