Safe to skip it.
Anthropomorphic animals meet through happenstance, become friends, and help each other with their problems.
The new spin this title tries to apply to the overly familiar trope is that one of the two characters—monkey Mr. Brown—is a famous fashion designer. He meets Moose on a plane when Moose is traveling from Alaska to London. Moose is introduced as having a superfluous and perpetually absent-minded twin—Monty—who has boarded the wrong plane. Mr. Brown offers to help Moose look for Monty, though looking seems to just mean that Moose will accompany Mr. Brown as he travels around the world to work. Moose, in return, provides Mr. Brown with top-notch fashion ideas, such as scarves for giraffes and sunglasses for snakes. Though clearly aiming for some degree of lovable kitsch, this title overshoots and lands squarely on bizarre. The premise is preposterous; the narrative meandering. At best the choice to feature an anthropomorphic (possibly stuffed) monkey character named “Mr. Brown” is unfortunate; at worst, it’s offensive—especially taken alongside the tiny vignette that is the sole representation of Africa. The illustrations are frequently too crowded, making decoding them difficult and rendering the entire work a confusing mess.
Safe to skip it. (Picture book. 4-8)Pub Date: Oct. 8, 2019
ISBN: 978-1-84365-428-5
Page Count: 40
Publisher: Pavilion Children's
Review Posted Online: Aug. 28, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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