Engagingly written, sharply observed: another winner from Theroux.
America’s master traveler (Fresh Air Fiend, 2000, etc.) takes us along on his wanderings in tumultuous bazaars, crowded railway stations, desert oases, and the occasional nicely appointed hotel lobby.
“All news of out Africa is bad,” Theroux gamely begins. “It made me want to go there.” Forty years after making his start as a writer while serving as a Peace Corps volunteer in Malawi, he returns for a journey from Cairo to Cape Town along “what was now the longest road in Africa, some of it purely theoretical.” More reflective and less complaining than some of his other big-tour narratives (e.g., The Happy Isles of Oceania, 1992), Theroux’s account finds him in the company of Islamic fundamentalists and dissidents, sub-Saharan rebels and would-be neocolonialists, bin Ladenites, and intransigent white landholders, almost all of them angry at America for one reason or another. The author shares their anger at many points. Of the pharmaceutical plant outside Khartoum that was flattened by a cruise missile on Bill Clinton’s orders a few years back, he remarks, “Though we become hysterical at the thought that someone might bomb us, bombs that we explode elsewhere, in little countries far away, are just theater, of small consequence, another public performance of our White House, the event factory.” Such sentiments are rarely expressed in post–9/11 America, and Theroux is to be commended for pointing out the consequences of our half-baked imperializing in Africa’s miserable backwaters. His criticisms cut both ways, however; after an Egyptian student offends him with the remark, “Israel is America’s baby,” he replies, “Many countries are America’s babies. Some good babies, some bad babies.” Theroux is often dour, although he finds hopeful signs that Africa will endure and overcome its present misfortunes in the sight, for instance, of a young African boatman doing complex mathematical equations amid “spitting jets of steam,” and in the constant, calming beauty of so many African places.
Engagingly written, sharply observed: another winner from Theroux.Pub Date: March 28, 2003
ISBN: 0-618-13424-7
Page Count: 496
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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