by Paul Theroux ‧ RELEASE DATE: May 22, 2012
Theroux has recaptured the sweep and density of his 1981 masterpiece The Mosquito Coast. That’s some achievement.
A joyful return to Africa turns into a nightmare for the elderly American protagonist of Theroux’s extraordinary novel.
As a young man, Ellis Hock loved teaching in Malawi for the Peace Corps, happiest years of his life. (Theroux did a hitch there; see his early novel Jungle Lovers.) Then he had to return to suburban Boston to run the men’s-clothing store he’d inherited. Thirty-five years later, the store and his marriage having failed, he returns to Malawi for a nostalgia-induced vacation. He’s warned on arrival that people are hungry and only want money, but he heads into the bush with a bagful of it, another mzungu (white man) who knows best. Malabo, the remote riverbank village where he’s remembered as the mzungu who helped build the school and clinic, gives him a warm welcome, but Hock’s disillusion sets in fast. The school is a ruin; the visiting doctor is a quack; AIDS is rampant; requests for money are constant. The villagers keep him under surveillance at the direction of the headman Manyenga, who is all smiles and lies. One bright spot is his reunion with Gala, the woman he loved, and the presence of her 16-year-old granddaughter Zizi, who waits on Hock and is fiercely loyal to him. The snakes, too, are a blessing. They terrify the villagers, but Hock handles them fearlessly, using them as protection once he realizes he is being held captive. He makes three escape attempts. The second takes him downriver into Mozambique. There Hock runs into a community of starving but deadly children and a food drop, horribly bungled by white Westerners; these scenes are devastating. All his escapes are foiled by the formidable Manyenga. The suspense is enriched by Theroux’s loving attention to local customs and his subversive insights. As Hock weakens in body and spirit, Zizi just grows stronger. Could she be his savior?
Theroux has recaptured the sweep and density of his 1981 masterpiece The Mosquito Coast. That’s some achievement.Pub Date: May 22, 2012
ISBN: 978-0-547-74650-0
Page Count: 336
Publisher: Houghton Mifflin Harcourt
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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