The peripatetic author of Riding the Iron Rooster, etc., etc., ventures with a collapsible kayak to the remote and scattered islands of the South Pacific. With a farewell to his marriage, and loneliness at his back, Theroux begins his extraordinary mission in New Zealand's Fiordland (``As long as there is wilderness there is hope''), moves on to Australia (a continent ``terrified by its own emptiness''), and then to Melanesia, Polynesia—Samoa, Tonga, Fiji, Tahiti, New Guinea's Trobriands, etc.—and, finally, Hawaii. He paddles the sea, he says, in the wake of myth-makers Melville, Stevenson, Gauguin, Maugham, and the Frenchman Captain Bougainville, who, in 1768, believed he'd found not only the Garden of Eden but Venus when a ``barebreasted Tahitian girl'' climbed into his ship from a canoe. To keen-eyed Theroux, the Polynesian islands are ``pleasant and feckless'' but far from paradise. Even Gauguin's Marquesas are ``dramatic at a distance'' but ``close up—muddy and jungly and priest-ridden.'' Traditional islands are ``riddled with magic, superstition, myths, dangers, rivalries and its old routines.'' Always interesting are Theroux's encounters with archaeologists who have disproved Thor Heyerdahl's popularizing theories about Polynesia. Sifting through human and animal bones, they study a still-mysterious people who carved some 800 stone statues on Easter Island and who boasted navigational skills that sent them migrating during what was Europe's Dark Ages. A sense of being beyond the reach of civilization comes when, in his intrepid kayak, off Easter Island and between the rock-battering surf and the Pacific, Theroux removes his headphones, ``hears the immense roar of waves and the screaming wind,'' and is terrified. A vast and contemplative book, seeing the ``Pacific as a universe, and the islands like stars in all that space.'' Informative not only for the voyager, but also for those wanting a new perspective on the Western continents of home. (Sorely lacking a map.)
Pub Date: June 8, 1992
ISBN: 0-399-13726-2
Page Count: 528
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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