A fever dream about despair and regret that will stay with you long after the credits have rolled.
When an unreleased cult movie is rebooted, the surviving member of the original film’s crew grapples with psychic whiplash.
Even though it’s not steeped in horror lore like the bangers being cranked out by Stephen Graham Jones or Grady Hendrix, this captivating take is tailor-made for fans of Stephen King and Jordan Peele alike. A cautionary tale with elements of indie movie darlings The Blair Witch Project, Blue Velvet, and River’s Edge, this chronicle of hometown kids trying to make a cheap slasher flick is shockingly memorable and deeply disturbing. Our unnamed narrator is the last survivor of the eponymous movie, filmed in the summer of 1993. Their Horror Movie concerns teens who torture one of their own—the narrator’s role is that of the Thin Kid, akin to the Slender Man of urban legend—and suffer the consequences. In the mix are the film’s obsessive director, Valentina; a handful of cast and crew; and the film’s ethereal screenwriter, Cleo, whose presence is most fully felt within the pages of her unusually personal screenplay. After a bewildering tragedy, the film was never released. Decades later, Valentina uploads a few scenes, some stills, and the screenplay to the internet, inspiring the modern-day reinvention. With his crewmates long dead by mostly natural causes, the narrator reluctantly agrees to capitalize on his infamy, eventually agreeing to participate in a hot horror reboot. Revolving between the original production and the big-budget reimagining, Tremblay deftly sidesteps genre tropes and easy laughs for a truly disturbing experience inside some very troubled heads. “Don’t get me wrong, it’s going to be a great movie,” cautions our Thin Kid. “You’re all going to see it. Most of you are really going to like it.…Will the movie be something you take with you, that stays with you, burrows into and lives in a corner inside you? That, I don’t know.”
A fever dream about despair and regret that will stay with you long after the credits have rolled.Pub Date: June 11, 2024
ISBN: 9780063070011
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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