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UNITED TATES OF AMERICA

Danziger (What a Trip, Amber Brown, 2001, etc.) breaks new ground with this amusing middle-school story illustrated in a novel way—with scrapbook art by the author done in the style of the sixth-grade narrator, Skate Tate. (Scrapbooking is the popular hobby of compiling photo albums and decorating the pages with stickers and special papers.) In diary-like fashion, Skate tells the story of her first stressful months at Biddle Middle School, when she must adjust to a long bus ride, a new building, different friends, and the sudden death of her adored globetrotting relative called GUM (the family nickname for Great-Uncle Mort). The first-person story is told in present tense, mainly in one-sentence paragraphs that approach stream-of-consciousness mode, supplemented with the addition of a few school assignments and scrapbook entries in different typefaces. Skate has lots of typical sixth-grade worries about her place at school and with her friend, but she has a solid, happy family life, and her wise great-uncle helps her with her self-confidence issues in some creative ways that support Skate’s budding talent as an artist. A 32-page, full-color insert of sample scrapbook pages shows photographs of Skate and her family and friends (using friends of the author for the models), including several pages detailing a family trip to Plymouth, Massachusetts. Danziger creates a believable, humorous world for Skate and her family, and GUM is a character anyone would love to have as a relative. The author’s scrapbook art may inspire readers to try crafting their own documentary pages. (Fiction. 9-11)

Pub Date: April 1, 2001

ISBN: 0-590-69221-6

Page Count: 144

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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RETURN TO SENDER

Though it lacks nuance, still a must-read.

Tyler is the son of generations of Vermont dairy farmers.

Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.

Though it lacks nuance, still a must-read. (Fiction. 9-11)

Pub Date: Jan. 13, 2009

ISBN: 978-0-375-85838-3

Page Count: 240

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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