by Paula Ikuutaq Rumbolt ; illustrated by Lenny Lishchenko ‧ RELEASE DATE: Oct. 30, 2018
Spare and beautiful
“At the very beginning of time,” spoken words had the power to become true—as protagonists Tiri the Arctic fox and Ukaliq the Arctic hare soon realize in this traditional Inuit tale.
In this “time of magic words” all the Earth is in a state of darkness. It is great for the nocturnal animals like Tiri, who can easily see and hunt in the dark. He makes sure the darkness prevails by calling its name: “Taaq, taaq, taaq!” Ukaliq overhears Tiri and thinks it unfair to have only darkness. How can she find food? She calls out the word for day, “Ubluq, ubluq, ubluq!” and so light comes into the world in a spectacular double-page spread in which the verso is dominated by the huge arc of the yellow, rising sun. The two disagree and argue and finally decide on a compromise that will “give each other enough time to find a meal or two before the other changes the light in the sky.” Rumbolt grew up listening to traditional Inuit stories and customs shared by her family and other elders. Her cadenced retelling of this traditional origin story will help young readers learn how to compromise and problem solve. Lishchenko’s deliberate palette of black and white, plus touches of a few other colors, plays strikingly with negative and positive space and adds a subtle dimension to this story of opponents learning how to coexist.
Spare and beautiful . (Picture book/religion. 3-7)Pub Date: Oct. 30, 2018
ISBN: 978-1-77227-180-5
Page Count: 32
Publisher: Inhabit Media
Review Posted Online: Feb. 5, 2019
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by Paula Ikuutaq Rumbolt ; illustrated by Jo Rioux
by Chloe Perkins ; illustrated by Archana Sreenivasan ‧ RELEASE DATE: March 21, 2017
Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual...
A retelling of the classic fairy tale with India as its setting.
This latest addition to the Once Upon A World series tells the well-known story of the maiden with beautiful long tresses locked away in a tower by an evil witch and the prince who falls in love with her. As with Perkins’ Cinderella (illustrated by Sandra Equihua, 2016) and Snow White (illustrated by Misa Saburi, 2016), the text has been simplified for a younger audience, and the distinguishing twist here is its setting in India. The mixed-media illustrations of plants, animals, village life, and, of course, Rapunzel, the witch, and the prince come alive in warm, saturated colors. Other than the visuals, there is little to differentiate the story from traditional tellings. As always, it is still the prince who will eventually lead Rapunzel to her salvation by taking her to his kingdom far away from the witch, but that is the nature of fairy tales. The only quibble with this book and indeed with this series is the board-book format. Given the fact that the audience most likely to enjoy it is beyond the board-book age, a full-size book would have done more justice to the vibrant artwork.
Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual delights in this one, though they’ll wish it were bigger. (Board book. 3-5)Pub Date: March 21, 2017
ISBN: 978-1-4814-9072-6
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: July 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Robert Heidbreder & illustrated by Lori Joy Smith ‧ RELEASE DATE: Sept. 1, 2012
While in no way pushing the creative envelope, this light-verse picture book still has much to offer pre-readers looking for...
Thirty poetic firecrackers chronicle a young child’s day.
Combining themes that worked well in the popular Crocodiles Say… (2005) and Crocodiles Play! (2009, both illustrated by Rae Maté), here Heidbreder joins forces with illustrator Smith to capture children at their most active and carefree as they go about their routines from dawn to bedtime. Together, these Canadian creators paint a warm portrait of suburban daily life, with kids enjoying their friends, siblings, pets, sunshine—all the basic pleasures of the moment. Heidbreder’s five-line sonic bursts, such as “Now Back Down,” are generally not contemplative poems but employ tight trochaic dimeter and trimeter to underscore the joy to be had in getting out in the world and exploring: “Bummy-wiggle. / Slip-down…THUD! / Gurpy-slurpy. / Hello, mud! / Plop!” And Smith’s simple, retro illustrations, rendered in pencil and colored digitally, ably depict the action of various scenes, using bold colors and spare facial expressions to show children, pets and yard animals like rabbits and birds at play. Notably absent from these illustrations are adults, whose influence is only subtly felt, as providers of a picnic or dinnertime spread, or heard in reconciling a playground spat or lending behavioral suggestions (especially regarding table manners).
While in no way pushing the creative envelope, this light-verse picture book still has much to offer pre-readers looking for affirmation of what constitutes a full day of fun. (Picture book/poetry. 3-7)Pub Date: Sept. 1, 2012
ISBN: 978-1-55453-706-8
Page Count: 40
Publisher: Kids Can
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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