Here’s hoping for a return of Sutton’s heroine with the same pizzazz but a little less woolgathering.
Murder disrupts an interracial family’s adjustment to a rural English town.
Londoners Daphne and James Brewster aren’t sure how well they’ll fit into the tiny Norfolk village of Pudding Corner. Daphne, “an immaculately presented thirty-something Black woman,” has an edge to her, and James, “a blond and blue-eyed white male,” knows that while he may fly under the radar, his wife will always speak her mind. But when a road rage incident over a London parking spot spooks the couple, they feel that a move to the country may be the safest option for them and their three children. They fit into their new home remarkably well: Daphne’s neighbors are eager to buy her restored and hand-painted furniture, and their children thrive at Pepperbridge Primary School, where Charles Papplewick runs a tight ship. Not long after the Brewsters’ arrival, however, the headmaster is unfortunately found dead in the potting shed on his beloved allotment. It takes nearly half the story for the local constabulary to decide that his death is a murder, but once they do, Daphne naturally gets sucked into the investigation. Sutton’s unfolding of her narrative is peculiar: Following an introduction to the people and places in the village, the prologue seems more like a flashback. And after the murderer is unmasked, a true flashback revisits motives already revealed and introduces characters never mentioned before. The convoluted and sometimes redundant plotting deflates Sutton’s otherwise crisp storytelling, giving the formidable Daphne’s debut just a mite less punch.
Here’s hoping for a return of Sutton’s heroine with the same pizzazz but a little less woolgathering.Pub Date: yesterday
ISBN: 9781496754813
Page Count: 304
Publisher: John Scognamiglio Books/Kensington
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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