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CHILD OF THE CIVIL RIGHTS MOVEMENT

Name: CHILD OF THE CIVIL RIGHTS MOVEMENT
Author: Paula Young Shelton
ISBN: 978-0-375-84314-3

by Paula Young Shelton & illustrated by Raúl Colón ‧ RELEASE DATE: Dec. 22, 2009

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Civil rights can be a difficult topic, even for adults, so finding simple language to explain the complexity of injustice and oppression to children is challenging. Shelton, daughter of Andrew Young, accepts the challenge and rises to meet it, approaching the topic from the point of view of the child she was in the ’60s: a four-year-old girl living in the midst of the leaders who helped change the nation. While the linked free-verse poems appropriately omit potentially confusing information, they introduce readers to her parents’ friends—activists such as Martin Luther King Jr., Dorothy Cotton and Ralph Abernathy. The author’s language can pack a punch, as when she describes her parents’ moving the family from New York “back to Georgia, / back to Jim Crow, / where whites could / but blacks could not.” Colón’s illustrations are exceptional in their use of color and texture to convey emotions and situations. Thumbnail biographies of the leaders introduced demonstrate that their activism did not end after the Voting Rights Act, which concludes this account. Essential. (bibliography) (Picture book/memoir. 4-9)

Pub Date: Dec. 22, 2009

ISBN: 978-0-375-84314-3

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2009

Categories:

CHILDREN'S FAMILY | CHILDREN'S HISTORY

- BOOK REVIEW
JUST LIKE JESSE OWENS
by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James

- PERSPECTIVES
The Picture Books That Captured a Movement

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ELEANOR

by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996

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"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)

Pub Date: Oct. 1, 1996

ISBN: 0-670-86159-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S HISTORY

- BOOK REVIEW
THE STORY OF CHRISTMAS
by Barbara Cooney & illustrated by Loretta Krupinski

- BOOK REVIEW
THE REMARKABLE CHRISTMAS OF THE COBBLER'S SONS
adapted by Ruth Sawyer & illustrated by Barbara Cooney

- BOOK REVIEW
ONLY OPAL
by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney

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BECAUSE YOUR DADDY LOVES YOU

by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005

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Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)