A story ultimately about Mozambique itself, and the struggles and hopes of its people.
A family in Mozambique navigates racism and its colonial legacy in this story from award-winning author Chiziane, the first Mozambican woman to publish a novel after the country gained independence in 1990.
In the province of Zambezia, a naked woman appears on the banks of a river. Offending the women of the village, she sits indecently in the section reserved for men. She’s been driven crazy by a traumatic past, and now searches, ghostlike, for her three missing children. Moving backward in time, Chiziane takes up the story of the unfortunate woman’s parents, born into poverty while the country is under Portuguese rule. Her father, José, becomes an assimilado, forsaking his traditions, adopting the language and culture of the colonizers. As a sepoy, he kills and tortures for the white regime: “Without the complicity of the assimilados and the sepoys, the land would never have been colonized.” After José disappears, his wife, Delfina, marries a white man and favors the children she has with him. The cruel racial hierarchy of colonization, internalized, plays out within the microcosm of her family. Woven into the narrative are origin myths explaining the age-old battle between men and women, as well as the history of Zambezia. “We were invaded by the Arabs. Waged war upon by the Dutch and the Portuguese...The invaders destroyed our temples, our gods, our language. But with them, we built a new language, a new race. That race is us.” Chiziane brings the meandering storylines of her characters to an optimistic, if unlikely, conclusion, and the book ends on a hopeful note: "Death and mourning have abandoned the land, and in the air the joyful song of the partridge prevails, gurué, gurué! Slavery is over and won’t come back! We are independent. We defeated colonialism."
A story ultimately about Mozambique itself, and the struggles and hopes of its people.Pub Date: May 14, 2024
ISBN: 9781953861689
Page Count: 485
Publisher: Archipelago
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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