By the Brazilian author of The Alchemist (1993) and the nonfictional The Valkyries: An Encounter with Angels (1995), a more mature work of fiction that may sell big. Coelho adds fiber to his usual dish of inspirational spun-sugar with this new Christian romance, set in Spain and the Pyrenees. The story follows practical law student Pilar, who at 28 has lost her faith and who suddenly finds herself pursued by a childhood friend she hasn't seen for ten years. One day in December, she receives a letter inviting her to a lecture on religion that that long-lost friend will give in Madrid. Pilar finds that he's now a believer in the miracle of the "Magic Moment," an instant in time when God gives us a chance "to change everything that makes us unhappy." He's also a fervent believer in the Virgin Mary, the "feminine face of God." Has her friend become a seminarian, as he's suggested in a letter to her? Pilar doesn't know, but he wines and dines her and asks her to accompany him on a trip. Soon the two are sharing confidences (but not their bodies), while visiting churches and shrines, including Lourdes. This is mostly a two-character novel, with a priest used for exposition and as a means of filling in the background of Pilar's beloved (who remains nameless, being referred to simply as "he" in the narrative) as a Charismatic healer. Yes, he has the gift of laying on of hands, granted him by the Virgin when he spoke to her in tongues at a meeting of Charismatics. Even Pilar finds she can speak in tongues. Mild erotic tension grows as The Braes of Madison County (will martyr Meryl run off with Clint?) meets The Garden of Allah (will disillusioned Dietrich wed deserter Trappist Boyer?) and Love demands that Pilar's beloved abandon healing for sexual/spiritual fulfillment. Sex and God whipped into a tasty mayonnaise.
Pub Date: June 1, 1996
ISBN: 0-06-251398-2
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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