A bit more playful than some of Coelho’s other efforts, and all the better for it.
Coelho’s latest parable (The Zahir, 2005, etc.) has vague Kafkaesque overtones as a town is challenged to murder an innocent in exchange for prosperity.
The small village of Viscos has a proud past, but at present is dying. All the young have moved to the city, leaving middle-aged shepherds and farmers and a tavern owner dependent on the occasional tourist in search of a mountain idyll. Its demise is only a matter of time as the world is in short supply of civic miracles. When a stranger comes to town, only old Berta sees what no one else can—that his invisible traveling companion is the Devil. The stranger invites Chantal Prym for a walk in the woods and there shows her two burial spots—one contains a single bar of gold, the other ten bars. It is a test for the town, and as the tavern’s barmaid, Chantal is the chosen mouthpiece. The village can have the gold if in three days they commit a murder. Seeking an answer to the question of evil, the stranger is betting that humanity is immoral, even in the quaint village of Viscos. An arms manufacturer, the stranger’s wife and daughters were killed by terrorists (using guns that he made), and ever since, he has had the Devil at his back and the eternal struggle between good and evil on his mind. Initially, Chantal refuses to speak, afraid of becoming complicit in the crime, but the stranger forces her hand, and soon the whole village knows of the proposed bargain. To Chantal’s horror, the town accepts his offer (thanks in large part to the priest, who, eager for the deal to go through, offers a sermon on how the sacrifice of one saved humanity). Now Viscos has only to decide the victim, unless Berta and Chantal, the top choices, can change their minds. Filled with Coelho’s trademark mysticism and philosophical anecdotes to illustrate a point, the brief tale is made finer by the Kafka- Shirley Jackson–derived motifs—the creepiness of a town eager for a murder offsets the author’s tendencies to spiritual pontificating.
A bit more playful than some of Coelho’s other efforts, and all the better for it.Pub Date: July 3, 2006
ISBN: 0-06-052799-4
Page Count: 224
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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