A facile New Age story in which the author and his wife are initiated into the cult of angels by a band of women bikers in the Mojave Desert. Coelho (The Alchemist, 1993) tells how, at the bidding of his "Master," a wealthy businessman, he and his wife, Chris, go off into the desert for 40 days to look for his guardian angel. They find their enlightenment first from Gene, a young man who lives in a trailer, and finally from eight women, known as the Valkyries, who roam the desert on motorcycles and whose wild leader, Valhalla, becomes the couple's mystagogue. Coelho's basic message is that Paradise is open and angels are present if only we break the pact of our self-betrayal and learn to conquer fear and the distractions of our "second mind." Unfortunately, he fails to go anywhere with this potentially exciting but hardly original vision. What he offers is a kind of doctrinal salad in which belief in angels, channeling, and casual sex are mixed with references to Magic rites, Catholic worship, and reincarnation. Coelho uses his characters to emphasize the dubious position that spiritual knowledge can be gained without any connection to how one lives. At times his wisdom turns out to be the familiar exhortation to follow our dreams, and he asserts, without clarification, that we are all manifestations of the Absolute. Coelho's ignorance and superficiality are most blatant when he tells us that St. Mary of Egypt was canonized for her promiscuity and is remembered by almost no one today, whereas in fact, she was converted during her famous visit to Jerusalem, spent the rest of her life as a penitent, and is solemnly commemorated every year by the Orthodox Church all over the world. More pap for the spiritually challenged.
Pub Date: Sept. 1, 1995
ISBN: 0-06-251291-9
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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