by Pedro Lemebel & translated by Katherine Silver ‧ RELEASE DATE: Feb. 1, 2004
A sharp account, suspenseful and nicely paced, that benefits from the unusual perspectives of innocent bystanders in this...
An odd-couple romance, in the tradition of Kiss of the Spider Woman or The Crying Game, between a Marxist revolutionary and drag queen.
The American debut of Chilean activist and writer Lemebel begins in 1986, after 13 years of military dictatorship in Chile. Underground groups of revolutionary terrorists have been wreaking havoc across the country with alarming regularity, causing blackouts in the cities and assassinations in the provinces, and the authorities respond with predictable brutality. During times as troubled as these, even someone as politically ignorant as the Queen of the Corner, a transvestite living in the back streets of Santiago’s teeming slums, can become a player—although not by her own choice. The Queen has the misfortune to meet and fall for Carlos, a handsome young revolutionary, and is innocent enough to offer him the use of her home. Soon Carlos is dropping off large parcels for safekeeping and bringing friends over for late-night meetings on short notice. The smitten Queen doesn’t mind that these packages contain weird devices that look like torpedoes, or that Carlos’s study groups never seem to discuss books or classes. Her story unfolds alongside that of Gonzalo, another gay Chilean, who serves as hairdresser to Pinochet’s wife. Gonzalo is about as politically informed as the Queen—he thinks, for example, that the General would be much better liked by revolutionaries if he changed the color of his uniforms—but he is able to see the regime’s growing desperation from the inside. A collision will come somewhere down the road, obviously, but who will be the victim, Carlos or the General? Or will more innocent parties, like Gonzalo or the Queen, pay the price?
A sharp account, suspenseful and nicely paced, that benefits from the unusual perspectives of innocent bystanders in this dirty game.Pub Date: Feb. 1, 2004
ISBN: 0-8021-1768-6
Page Count: 176
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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