LAST WOOL AND TESTAMENT

The death of a fiber artist shakes up a suburban New Jersey town.

Even though they lived in the same small town across the Hudson River from New York, Pamela Paterson, associate editor of Fiber Craft magazine, had never met well-known fiber artist Ingrid Barrick. But after the mail carrier finds Ingrid dead in her home on Serpentine Way, Ingrid’s next-door neighbor Coco Dalrymple calls Pamela’s across-the-street neighbor Bettina Fraser, a reporter for the Arborville Advocate, to express her suspicion that Ingrid was murdered. Best friends Pamela and Bettina, deciding to poke around, end up meeting many of Ingrid’s other neighbors on Serpentine Way, including beekeeper Honey Hurley, who loves Ingrid’s unkempt wild garden, and Ingrid’s other next-door neighbor, Dorcas Sprain, who hates it. During one visit, Ingrid’s daughter, Mari, gives Pamela a diary in which Ingrid chronicled the entire year of 1985 with a tiny, detailed picture for each day. Butterflies feature as prominently in these illustrations as they do in Ingrid’s wild garden. Erhart’s narrative works like a butterfly itself as it flits from subplot to subplot, culminating in a four-page extravaganza detailing every step Pamela takes in creating a strawberry banana pudding for the latest meeting of her knitting circle. Ingrid’s murder does get solved, but almost as an afterthought. The real action here is the interplay between neighbors, old friends, and new acquaintances.

The proof may be in the pudding, but here the pudding seems the main point.