by Peggy Thomas ; illustrated by Stacy Innerst ‧ RELEASE DATE: Sept. 8, 2015
It is no small feat to choose but a few facts about such a well-documented life; the choices made and the method of telling...
Using Thomas Jefferson’s own admissions of passion for both his new country and agriculture, details are given about a few of his activities, inventions, and accomplishments, beginning after the Revolutionary War.
A muted, gouache image of a large-headed Jefferson plowing with the help of a large brown mule spans two early pages, under which is this text: “After planting the seed of freedom writing the Declaration of Independence, Thomas had something new to nurture. And like any farmer imagining the harvest of a newly tilled field, Thomas envisioned a nation of farmers. But one weed threatened Thomas’s vision.” Said weed is Count Buffon, a Frenchman whose disparaging lies about the New World eventually resulted in Jefferson’s arranging for the man to receive a moose via cargo ship. This unusual and amusing tale begins a series of revelations that continue to show Jefferson’s intense desire to boost his nation’s status and to improve its agriculture. The text is dense and contains sophisticated ideas and vocabulary, and numerous quotations appear in the entertaining artwork and the text itself. The seed metaphor is not extended to Jefferson’s known progeny, but the final section, “Thomas Today,” wisely invites readers to ponder Jefferson’s slave ownership.
It is no small feat to choose but a few facts about such a well-documented life; the choices made and the method of telling are both exemplary. (timeline, further information, notes) (Nonfiction. 9-12)Pub Date: Sept. 8, 2015
ISBN: 978-1-62091-628-5
Page Count: 48
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
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by Peggy Thomas ; illustrated by Stacy Innerst
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by Peggy Thomas ; illustrated by Edwin Fotheringham
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by Rex Ogle ‧ RELEASE DATE: Sept. 10, 2019
A mighty portrait of poverty amid cruelty and optimism.
Recounting his childhood experiences in sixth grade, Ogle’s memoir chronicles the punishing consequences of poverty and violence on himself and his family.
The start of middle school brings about unwanted changes in young Rex’s life. His old friendships devolve as his school friends join the football team and slowly edge him out. His new English teacher discriminates against him due to his dark skin (Rex is biracial, with a white absentee dad and a Mexican mom) and secondhand clothes, both too large and too small. Seemingly worse, his mom enrolls him in the school’s free-lunch program, much to his embarrassment. “Now everyone knows I’m nothing but trailer trash.” His painful home life proffers little sanctuary thanks to his mom, who swings from occasional caregiver to violent tyrant at the slightest provocation, and his white stepdad, an abusive racist whose aggression outrivals that of Rex’s mom. Balancing the persistent flashes of brutality, Ogle magnificently includes sprouts of hope, whether it’s the beginnings of a friendship with a “weird” schoolmate, joyful moments with his younger brother, or lessons of perseverance from Abuela. These slivers of relative levity counteract the toxic relationship between young Rex, a boy prone to heated outbursts and suppressed feelings, and his mother, a fully three-dimensional character who’s viciously thrashing against the burden of poverty. It’s a fine balance carried by the author’s outstanding, gracious writing and a clear eye for the penetrating truth.
A mighty portrait of poverty amid cruelty and optimism. (author’s note, author Q&A, discussion guide, writing guide, resources) (Memoir. 9-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-324-00360-1
Page Count: 208
Publisher: Norton Young Readers
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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by Rex Ogle ; illustrated by Dave Valeza ; color by Ash Szymanik
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by Francisco Serrano ; illustrated by Pablo Serrano ‧ RELEASE DATE: Oct. 16, 2012
An inventive introduction to a fascinating historical figure.
Another collaborative effort by the team that created The Poet King of Tezcoco: A Great Leader of Ancient Mexico (2007) chronicles the life of a controversial figure in pre-colonial Mesoamerica.
The indigenous woman who would serve as Hernán Cortés’ interpreter and companion was born in the early 1500s as Malinali and later christened Marina. She is now called La Malinche. Besides serving as translator to the Spaniard, she also gave him advice on native customs, religious beliefs and the ways of the Aztec. While Marina’s decision to help the Spanish in their often brutal quest for supremacy has led to many negative associations, others see her as the mother of all Mexicans, as she and Cortés had the first recorded mestizo. Although many of the details surrounding the specifics of Marina’s life were unrecorded, Serrano strengthens the narrative with quotations by her contemporaries and provides a balanced look at the life of a complicated, oft-maligned woman. Headers provide structure as events sometimes shift from the specific to the very broad, and some important facts are glossed over or relegated to the timeline. Reminiscent of pre-colonial documents, the illustrations convey both Marina’s adulation of Cortés and the violence of the Spanish conquest, complete with severed limbs, decapitations and more.
An inventive introduction to a fascinating historical figure. (map, chronology, glossary, sources and further reading) (Nonfiction. 10-12)Pub Date: Oct. 16, 2012
ISBN: 978-1-55498-111-3
Page Count: 40
Publisher: Groundwood
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Francisco Serrano & illustrated by Pablo Serrano & translated by Trudy Balch
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