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WHEN THE MOON IS FULL

A LUNAR YEAR

The rhymed text doesn’t match the power of Caldecott-winner Azarian’s hand-colored woodcuts in this journey through the seasons. Each of Pollock’s verses describes the scene: January is Wolf Moon, April is Frog Moon, December is Long Night Moon, and so on. Each verse is followed by a short sentence expanding on the poem’s description, and that sometimes is absurdly self-evident: for May, the Flower Moon, “Many flowers bloom in May.” The verses tend to thud and clunk along, and the author, a Wyandotte Indian descendant, refers consistently to Native Americans in her text as if they were a homogenous group. Question-and-answer pages at the end answer such questions as, “What is a blue moon?” Azarian’s images are beautifully rendered, with an underlying strength to the patterns of flower, cornstalk, ripple, and leaf. A more engaging verbal treatment of this theme is Michael McCurdy’s An Algonquian Year (2000); one would hate to choose between McCurdy’s illustrations and Azarian’s. (Picture book. 5-8)

Pub Date: Sept. 1, 2001

ISBN: 0-316-71317-1

Page Count: 32

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2001

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ROSIE REVERE, ENGINEER

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE STREET BENEATH MY FEET

An unusual offering for the young geology nerd.

This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.

The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”

An unusual offering for the young geology nerd. (Informational picture book. 5-8)

Pub Date: May 1, 2017

ISBN: 978-1-68297-136-9

Page Count: 20

Publisher: Words & Pictures

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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