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A DAY IN CANADA

Simple details and animal characters will attract the youngest lapsitters, who may want to try some of the activities...

Gürth adds to his series of books about Canada with this look at time.

Beginning in Newfoundland and Labrador and moving west through a single day, readers greet the sun at 6 a.m. and then are introduced to a single location and activity for each of Canada’s 10 provinces and three territories (a map is provided on the endpapers). A bull moose pedals along Confederation Trail at 8:30 a.m. A bit later, a moose calf dances a jig at the Miramichi Folk Festival. The text is framed in a series of gentle imperatives: Explore an old fort, have a picnic, smell the flowers in Assiniboine Park, kayak Lake Louise, hike, pan for gold, barbecue on the beach. Many of these can be done almost any place, though two particularly tempting activities are difficult to do just anywhere: sleep beneath the northern lights and “2:45 p.m. / Slide down the Athabasca Sand Dunes.” An old-fashioned alarm clock in the bottom left corner displays each time in whole hours and 15-minute increments. Gürth’s digital illustrations feature thick black outlines filled with brilliant colors.

Simple details and animal characters will attract the youngest lapsitters, who may want to try some of the activities depicted, even if they can’t do them in the specific Canadian environs described. (Picture book. 3-7)

Pub Date: March 1, 2015

ISBN: 978-1-77138-125-3

Page Count: 32

Publisher: Kids Can

Review Posted Online: Jan. 9, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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