Hautman continues to write mind-expanding adventures and nail-biting suspense to probe big questions of faith, destiny and...
Middle books in trilogies are tricky, but this taut science-fiction thriller pulls it off with panache.
The mysterious teenage girl Lah Lia keeps reappearing at pivotal moments of Tucker Feye’s chaotic adventures across time; now, following her own journey through the “disko” portals sheds clarity upon the various rival factions contending through the forthcoming epochs. From her pampered childhood, raised as a sacrifice, to the end of human history, Lia witnesses the early days of the Boggsian technological cult and their transcendence into the spectral tourist Klaatu; the heyday of digitocratic Medicant healers and their persecution at the hands of the fanatically anti-numerate Lah Sept; and the rebellion of the ruthless Yar women against the corrupt priests of her own time. Lia matures from a clever but passive observer to a tough-minded, compassionate and principled actor, determined to take charge of her own life—even if that means rewriting the past. While by no means a stand-alone, the narrative intersperses chapters recounting Tucker’s interrogation by Cold War–era Arctic explorers to recap important details and ground the more exotic future scenarios. This device also drives the plot, as the two protagonists strive independently to reconnect. When they meet again in the final pages, it is clear that the past is beginning to unravel, and all history is about to break loose.
Hautman continues to write mind-expanding adventures and nail-biting suspense to probe big questions of faith, destiny and personal responsibility. The next book can’t come soon enough. (Science fiction. 12 & up)Pub Date: May 14, 2013
ISBN: 978-0-7636-5404-7
Page Count: 368
Publisher: Candlewick
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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