Since Hautman has excelled in both fairy tales and comic nightmares (Rag Man, 2001, etc.), he’s just the craftsman to plunk...
Yet another struggling businessman with romance in his heart and felony dogging his footsteps.
Talk about your cosmic justice. The day Nick Fashon finds out that his grandfather, reclusive inventor Caleb Hardy, has been found dead, his body nibbled by coyotes, is the same day that Love & Fashion, his clothing store, has burned to the ground, together with Nick’s uninsured apartment, his nine pairs of Bally shoes, and his collection of 500 Motown records. “Caleb had lost his life, but his stuff was okay. Nick had lost his stuff, but he was alive. Now he had new stuff,” muses the survivor, whose inheritance seems limited to Caleb’s crackpot prototypes—the Inch-Adder, the Comb-n-Clean, and all the rest of their uncommercial ilk. One item, though, seizes Nick’s fancy: the HandyMate, a kitchen gadget that slices, dices, and does everything else. Bent on bringing the enchanted chunk of plastic to market, Nick swiftly finds that although the HandyMate’s seized other fancies too—especially that of Caleb’s girlfriend Yola Fuente, the restaurateur who, claiming half ownership in the thingamabob, is determined to introduce it on her cooking program and run off with the proceeds—it leaves his impecunious partner, Vincent Love, cold, and stirs up nothing but trouble for Nick’s ladylove Gretchen Groth (Archaeology/Univ. of Arizona), whose demand that he not raise seed money from her ex-cop father Bootsie are matched by Bootsie’s demand that he take the money and make them both rich. A slippery insurance agent, a Tucson arson investigator, and an excitable loan shark are all on hand to drag Nick deeper into trouble.
Since Hautman has excelled in both fairy tales and comic nightmares (Rag Man, 2001, etc.), he’s just the craftsman to plunk his appealing hero into the middle of a tale so finely balanced that it could go either way right up to the end.Pub Date: Oct. 2, 2002
ISBN: 0-7432-0019-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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