by Pete Hautman ‧ RELEASE DATE: June 1, 1996
Another riotous carnival of larcenous fun Ö la Elmore Leonard—this time set in and around a real carnival. Taco tycoon Axel Speeter, who doesn't like banks, keeps his fortune in Folgers—$260,000 in seven coffee cans, to be precise. Sophie Roman, newly promoted to manager of Axel's Taco Shop, doesn't know about it, but her footloose daughter Carmen does, and soon so do Carmen's boyfriend James Dean and his new skinhead friends, Tigger (the little, dumb one), Sweety (the big, even dumber one), and Pork (their pumped-up crank connection). All Axel wants to do is max out his take at the Minnesota State Fair; all Carmen, an aspiring nurse, wants to do is dose herself with bigger and bigger hits of Valium—at least until she samples the crank; all Dean wants to do is plunge his arms up to the elbows in Axel's greasy greenbacks. While all are biding their time waiting for Hautman's hilariously overgalvanized plot to kick in, Axel reminisces about some long-ago hands of poker he played with his buddies Sam O'Gara, the human randomizer, and Tommy Fabian, the monarch of Tiny Tot Donuts; surprisingly capitalistic Sophie and increasingly brain-dead Carmen jockey for position at the taco counter; and Dean goes after Axel's buddy Tommy Fabian, of Tiny Tot Donuts, and spends a lot of time mangling bits from the John Donne book borrowed from the sister he killed back in Omaha. Even minor characters, like the Motel 6 night manager and the clotheshorse twinkie Axel's hired for the State Fair stint, share the tunnel-vision looniness, convinced, like Axel and Dean, that their ships are about to come in. Hautman (Short Money, 1995, etc.) provides pleasantly hallucinogenic dialogue that faithfully reflects the mixture of nonstop junk food, increasingly toxic drugs, and background noise from the Tilt-a-Whirl and the hog pens just outside the midway; the whole world vibrates, with each felonious dreamer always on the cusp of a carnival buzz. Joyfully loony—as blissful as a ton of cotton candy.
Pub Date: June 1, 1996
ISBN: 0-684-81000-X
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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