A splendid introduction to a pivotal figure in the history of English literature. (21 b&w illustrations)
The first in a new series, Ackroyd Brief Lives, offers a fascinating portrait of the man who has been called the father of English poetry.
Ackroyd (The Origins of the English Imagination, 2003, etc.) vividly depicts 14th-century London and the busy life of Geoffrey Chaucer. The poet, Ackroyd makes clear, was not an ivory-tower figure but a man of the world: a courtier entrusted by successive kings with diplomatic missions abroad and a civil servant who supervised royal building projects and oversaw the collection of taxes on wool and leather in the Port of London. Though brief, the biography is filled with details bringing Chaucer’s world and work to life. We see the younger man being educated in the royal court, rising in the diplomatic service, absorbing the culture of France and Italy, and acquiring a reputation as a courtly poet. Records are scanty, but Ackroyd cites evidence of his various financial dealings and legal entanglements, including an indictment for rape as well as lawsuit over debt. Given the many gaps in the records, speculations are inevitable, and when discussing specific events, Ackroyd relies on hedges like “might have,” “could have,” “it has been argued that,” and “we can possibly imagine.” The core of the book, however, concerns Chaucer’s work as a poet, and here Ackroyd is on firmer ground. He quotes frequently from the poems—The House of Fame, The Parliament of Fowls, Troilus and Criseyde, The Legend of Good Women, and, of course, The Canterbury Tales—explaining allusions, discussing style, illustrating the influences of French and Italian poets, especially Boccaccio, and pointing out Chaucer’s skill at manipulating the English language. You get a clear sense of English as an evolving language, and, for those puzzled by Chaucer’s version of it, Ackroyd includes an appendix with modern translations of all the quoted material.
A splendid introduction to a pivotal figure in the history of English literature. (21 b&w illustrations)Pub Date: Jan. 18, 2005
ISBN: 0-385-50797-6
Page Count: 208
Publisher: Nan A. Talese
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2004
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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