A loving yet clear-eyed celebration of the enigmatic icon on the Adriatic.
The indefatigable chronicler of his native England’s culture looks overseas to the magical Italian city on a lagoon.
In this impressionistic appreciation of Venice, Ackroyd (The Casebook of Victor Frankenstein, 2009, etc.) opens with a haunting evocation of the site as it appeared to fifth-century mainlanders fleeing barbarian invasions: “a solitary place, its silence broken only by the calls of seabirds and the crash of the billows of the sea and the sound of the wind soughing in the rushes.” But the city would not remain silent for long. It was a center of trade for more than 1,000 years, as its ships brought the spices of the East to Europe and carried manufactured items in the opposite direction. Its position at the economic forefront faltered after the 16th century, when city authorities refused to compromise the standards of the luxury goods for which Venice was famous and lost out to the merchants of England and Holland, able to offer cloths and metals for less. But Venice reinvented itself as a playground for foreigners, trading on its dazzling art and architecture and its seductive music and theater to attract the hordes of visitors that still clog the Piazza San Marco today. Yet Ackroyd reminds us that this city of brilliant surfaces has always also been a place of mystery, of secrets and crimes concealed behind opaque facades. Mosaics and glass are its characteristic products; its greatest painters (Titian, Tintoretto) excel in color and drama, not psychological complexity; ditto the music of native son Vivaldi and the beloved comedies of Goldoni. The author affectionately portrays Venetians as intensely social and deeply conservative, creators of an oligarchic democracy that endured for centuries. Public life was as theatrical as the opera; little was at stake because nothing ever changed. There’s no need to lament the city’s contemporary role as a tourist attraction, writes Ackroyd, because “the tourist Venice is the essential, quintessential, Venice.”
A loving yet clear-eyed celebration of the enigmatic icon on the Adriatic.Pub Date: Nov. 2, 2010
ISBN: 978-0-385-53152-8
Page Count: 416
Publisher: Nan A. Talese
Review Posted Online: July 26, 2010
Kirkus Reviews Issue: Aug. 15, 2010
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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