by Peter Brown ‧ RELEASE DATE: Oct. 1, 2012
A hefty yet lucid contribution to the history of early Christianity.
Render unto Caesar, quoth the New Testament—even when Caesar is the church that Peter built.
Brown (Poverty and Leadership in the Later Roman Empire, 2002, etc.) may be an emeritus professor of history at Princeton, but his research is resolutely up-to-date. So, too, is his language, as when he writes of a particular trope of the late Roman historian Ammianus, “this was no nostalgia trip on his part,” and when he describes the imposition of the rule of celibacy on the priesthood as “consumer driven.” That last makes particular sense in the context of this sizable book, in which Brown examines the long conflict between Christ-like immiseration and episcopal opulence, a conflict that has its roots in the economic history of the late Roman Empire. In that time, writes the author, there was an uneasy concord between the ruling nobility and the peasantry during a time when barbarian invasions and civil war were the new normal. When the empire dissolved, one way for a wealthy Christian to feel holy was to renounce wealth entirely in the way of the monks; another was to give all his money to the rising church, in which the monks took the place of all the poor outside the walls of the cloister. “Gifts to the city gained fame in this world and this world only,” writes Brown. “By contrast, gifts within the churches were thought to join this world to a boundless world beyond the stars.” Brown charts the growth of the church’s “financial muscle,” venturing intriguing asides as he proceeds on such matters as pagan vestiges within the beliefs of the church and lay society alike—the supernatural connection, for instance, of wealth to the turning of the seasons—and the fact that the ranks of the early Christian church were filled not by the meek and the poor, but instead by “moderately well-to-do townfolk.”
A hefty yet lucid contribution to the history of early Christianity.Pub Date: Oct. 1, 2012
ISBN: 978-0-691-15290-5
Page Count: 806
Publisher: Princeton Univ.
Review Posted Online: Aug. 12, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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