by Peter Handke ; translated by Krishna Winston ‧ RELEASE DATE: March 15, 2022
A carping, tedious journey into the hinterlands.
A wandering, seemingly plotless novel by Austrian writer Handke.
It begins with a bee sting: A pensioner in the exurbs of Paris walks barefoot in the grass and earns a hymenopteran bite for his troubles. Spurred, he takes the occasion to pack his bags and go for an adventure that it pleases him to think is somehow illegal. “Yes, at last I would lay eyes on my fruit thief, not today, not tomorrow, but soon, very soon, as a person, the whole person, not just the phantom fragments my aging eyes had glimpsed in all the years before, usually in the middle of a crowd, and always at a distance, and those glimpses had never failed to get me moving again,” writes Handke in a typically winding sentence. That fruit thief is a young woman who soon becomes the center of the story even though the oldster remains the omniscient narrator. He dislikes the new Europe: “I usually found women in veils properly—or improperly—offputting,” he grumbles, having encountered Muslim women on a train. He finds his fellow humans thick as bricks: “Nothing makes them prick up their ears.” The young woman, Alexia, is no more tolerant, a Nietzschean rebel who emerges as a younger, female doppelgänger to the older man’s world-weary curmudgeon. She wanders across France, her vast handbag full of, yes, pilfered fruit that she considers it her right to possess, staking out places where she can readily nab the stuff: “She evaluated each place according to the spots, nooks, and crannies where a piece of fruit grew that she could grab.” Why not televisions or late-model Renaults? Alexia falls in with an occasional companion who, Handke takes pains to point out, is of darker complexion than she, “fighting his way at her side through this European jungle.” Their travels don’t amount to much, but they afford Handke plenty of opportunities to sneer at modern mores and modern life and the boring homogeneity of humankind, especially the non-European sort.
A carping, tedious journey into the hinterlands.Pub Date: March 15, 2022
ISBN: 978-0-3749-0650-4
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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by Peter Handke ; translated by Krishna Winston
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by Peter Handke ; translated by Krishna Winston ; Ralph Manheim
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by Peter Handke ; translated by Krishna Winston
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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