An impressively well-rendered true-crime saga.
Thrilling account of a violent California bank robbery whose damage “keeps rippling out through the generations.”
Houlahan’s debut is remarkable for the exhaustive, sometimes exhausting level of detail he brings to every stage of the story, transforming a pulpy true-crime narrative into a reflection of social transformations and class conflict as the countercultural 1970s faded into the Reagan era. The author argues that the robbers, aimless blue-collar friends who’d dabbled in evangelicalism and doomsday scenarios, “were looking at American society and seeing a house of cards teetering on collapse.” The crime was meant to bankroll plans for a survivalist compound; yet their sense of rage was indicated by the arsenal of assault rifles and improvised explosives. The amateurish robbery devolved into a running firefight with outgunned law enforcement officers which Houlahan documents as an exacting, extended set piece. Following a massive, improvised police response, the criminals fled into nearby wilderness after killing one officer, wounding many others, and being wounded themselves, only to be captured the next day. As one stunned cop observed in the aftermath, “we just got our asses kicked, didn’t we?” The author then goes into the long, chaotic trial. With the three surviving suspects universally loathed and the death penalty in the balance, it became an early media circus marked by “insolence, impertinence, and contemptuous and childish behavior.” Houlahan follows up on the robbery’s long shadow over many officers and civilians who were caught in the melee, delving into subtopics including the evolution of tactics in response to such crimes and departments’ reluctance to offer counseling for PTSD, which compelled some embittered survivors to leave policing. Houlahan’s writing is dense, sometimes colloquial, well-researched, and mostly clear. While his enthusiastic focus on details of the hardscrabble region’s history, characters’ social backgrounds, the botched robbery and its bloody aftermath, the weapons and tactics used by both sides, and finally the long-term changes in policing can occasionally overwhelm, most readers will stay engrossed.
An impressively well-rendered true-crime saga.Pub Date: June 11, 2019
ISBN: 978-1-64009-212-9
Page Count: 352
Publisher: Counterpoint
Review Posted Online: May 19, 2019
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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