AGAINST THE GRAIN

Superintendent Peter Diamond finds himself down on the farm.

After a prologue clearly inspired by the climactic chapter of Frank Norris’ epic 1901 novel The Octopus, Lovesey shows his franchise hero—still resisting the push to retirement—reluctantly accepting the invitation his old deputy Julie Hargreaves has extended to him and his partner, Paloma Kean, to pay an extended visit to the Somerset farm where she lives. Julie, it turns out, didn’t leave the service because she wanted to escape Diamond’s overbearing manner, but because she was going blind from macular degeneration. But she’s still keen-eyed enough to doubt that Claudia Priest was rightfully convicted of manslaughter for causing the death of art dealer Roger Miller, the former lover who was found dead in a grain silo, where he was searching for the garter Claudia playfully hid. Realizing that Julie invited him specifically to reopen the case, Diamond agrees to do so even though he has no legal standing. Aping by turns Poirot and Columbo, he chats up Claudia’s other lovers, wealth manager Fabio Fortunato and insufferable Bert Dombey, who’d competed to find that fatal prize, which Claudia insists she put into a bull pen and someone else must have moved to the silo where Roger met his end. While Diamond and Paloma are still onsite, Claudia’s released from prison just in time to be accused of killing Diamond’s principal suspect. Along the way, Diamond gets to drive a tractor and deliver a calf, all the time laboring to unmask the real murderer before he’s unmasked himself, as an unauthorized investigator from the Bath CID.

Readers lulled by the bucolic byplay will be pleasantly surprised by the identification of a killer they never suspected.