Eighteen stories, 15 of them reprints from 1973-2020, from the prolific British writer equally distinguished by his inventiveness and his polished craftsmanship.
The oldest tale, “The Bathroom,” is a fictionalization of the career of serial wife-killer George Joseph Smith most noteworthy for the anecdote it inspires in Lovesey’s introduction; its true-crime counterpart, “A Tale of Three Tubs,” is more beguiling and compelling. The historical interest is also the strongest element in “The Deadliest Tale of All,” in which Edgar Allan Poe meets the man who plans to write his obituary. And the trimmings in “A Three Pie Problem,” in which Superintendent Peter Diamond eludes his visiting relatives by investigating the poisoning of a retired accountant at his own Christmas party, shine more brightly than its payoff. Mostly, though, the stories are a demonstration of how many things Lovesey can do well. A burglar who wins a contest that sends him to Marrakesh in “Lady Luck” suffers an exquisitely well-calibrated payback. The veteran romance novelist tempted from her midlist purgatory to ghostwrite a roman à clef about a thinly disguised celebrity in “Ghosted” smells a rat just in time. In “The Homicidal Hat,” another mystery writer gets unexpected help from her crabby husband designing the winning entry in the cozy mystery conference Malice Domestic’s contest for most creative hat. “Formidophobia” traces the roots of the narrator’s fear of scarecrows to a dread secret that conceals still darker secrets. The hanging of a theatrical troupe’s leading lady introduces a surprisingly orthodox whodunit in “Gaslighting.” And the ending of the title story, in which the impending loss of their monastery leads to the poisoning of two monks, is more heartwarming than surprising.
A celebratory display of the many things an accomplished veteran can do with the short mystery.