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MONSIEUR ALBERT RIDES TO GLORY

Slow and steady wins the race—though being tardy enough to miss the avalanche helps.

Framing a distant cousin to “The Tortoise and the Hare” in loosely sketched watercolors and delicious dactyls, Graham and his brother-in-law present an aging but game Parisian who quixotically enters a bicycle race to the Côte d’Azur.

Having impulsively lined up against hotshots like “handsome young François, surrounded by girls, / with a sneer on his lips and a shine on his curls,” 60-year-old Albert sets off on the grueling course and resolutely pedals on as others whiz by. Having labored through days of rain and snow, he reaches the top of the mountain pass at last—in time to watch as a giant snowball plummets past, snatches up all the other cyclists and plunges into the sea far below. As the erstwhile entrants drag their way to shore, Albert “rides into Nice, / with an escorting bevy of mounted police. / A hug from a film star, a kiss from the mayor, / for Albert Larousse—cyclist extraordinaire!” The verses’ clever rhymes and the handwritten-style typeface both complement Graham’s informal scenes of the balding, white-haired gent plugging along or sitting at his ease with bread and wine as flocks of helmeted cyclists zoom past—and ultimately holding up a golden trophy in triumph. Bravo!

Slow and steady wins the race—though being tardy enough to miss the avalanche helps. (Picture book. 6-8)

Pub Date: June 1, 2013

ISBN: 978-1-74237-680-6

Page Count: 32

Publisher: Allen & Unwin

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 1, 2013

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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KICK PUSH

An important reminder that, in the quest for friendship, who you truly are is more than enough.

Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.

When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.

An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)

Pub Date: April 19, 2022

ISBN: 978-1-5476-0592-7

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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