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CROSSING THE HUDSON

Jungk’s beautiful, uncanny work breaks new ground in stories about fathers and sons.

A traffic jam prompts a stirring meditation on family, faith and intellect.

Dour Viennese furrier Gustav is en route by car to his house outside New York, where his wife and children are waiting for him. The pressure’s on to arrive before sunset; he’s recently converted to Orthodox Judaism, much to the frustration of his mother Rosa. Much to Gustav’s frustration, Rosa is with him as he drives, lecturing him about everything from his choice of wife to his choice of rental car. Worse, they’ll be stuck together for a while, as a chemical spill on the Tappan Zee Bridge brings traffic to a halt. Jungk (Tigor, 2004, etc.) slows down the narrative at that moment, suggesting a Nicholson Baker-esque study of the minutiae of living with gridlock. But when Gustav steps out of the car to look at the Hudson River, an unusual thing happens: He sees the enormous naked body of his late father, Ludwig, lying across the river’s banks. It’s patently absurd, but Jungk masterfully captures the confusion the image creates in Gustav’s and Rosa’s minds, as well as the vaguely unsettled feeling it arouses in others on the bridge. (They don’t see the “fatherbody” but sense something odd about the river.) Ludwig was a famous scientist—importantly, his major text was titled Fusion—and as Gustav walks across the bridge he ponders the connection between his father’s body and his life. The sight of Ludwig’s penis recalls memories of his infidelities; his stomach evokes his intestinal illnesses; and, finally, his mind evokes his intellectual force. Jungk shows just how tightly knit the relationship was and is between Gustav and his parents, and though the tone is muted throughout, the overall feeling is one of uplift, affirmation of the deep bonds that connect the family. The presence of his father’s body on the river, however strange, doesn’t confuse and complicate Gustav’s life—it clarifies it.

Jungk’s beautiful, uncanny work breaks new ground in stories about fathers and sons.

Pub Date: March 10, 2009

ISBN: 978-1-59051-275-3

Page Count: 240

Publisher: Handsel/Other Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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