A loose string of events that shows little evidence of much emotional investment, on Jungk’s part, in his characters,...
German-American novelist (The Perfect American, p. 244) and biographer (Franz Werfel, 1990) Jungk offers a disjointed tale about a mathematician by the name of Tigor, who, in troubled midlife, drifts on a series of fruitless, ill-connected adventures.
Having abandoned a mathematics conference in Trieste, and his teaching position at the University of Pennsylvania, Tigor ends up in the wilderness (“the plant room”), where he wanders harmlessly before resurfacing in the town of Belluno and being arrested for vagrancy. Dreamy and garrulous, Tigor makes friends wherever he goes, and newly met strangers happily tolerate his memories of growing up as the son of a famous opera singer. Tigor has a love for the theater and ends up in Paris to work as a rigger at the Odeon, while living at the home of his doting granduncle, Arnold Bohm. Tigor endures the riotous staging of Treplyov’s Masha and the insufferable preening of stars. But he’s no nearer to offering a justification for his “dereliction of duty toward his students.” Decamping to Moscow, he joins another mathematics professor and goes to Yerevan, capital of Armenia, where he becomes enthralled by a group of nationalists convinced that the remains of Noah’s Ark are still unclaimed on Mount Ararat. As a mathematician concerned with proving a hypothesis, Tigor (whose name seems to derive from a legendary Armenian king, Tigran II) is chosen for the mission of unearthing the remnants, thus proving the veracity of the Divine Books. Despite his misgivings, and after a spell teaching English to the children of Yerevan, he undertakes the task, and, in a bizarre close, he ascends the mountain without proper climbing gear or knowledge of the ongoing Kurdish civil war.
A loose string of events that shows little evidence of much emotional investment, on Jungk’s part, in his characters, providing the reader scant chance to warm up to his oddly named hero. The result: a listless, cold-eyed, quixotic romance that seems to suffer in translation.Pub Date: Oct. 1, 2004
ISBN: 1-59051-118-2
Page Count: 220
Publisher: Handsel/Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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