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AMERICAN FANTASTIC TALES

TERROR AND THE UNCANNY FROM POE TO THE PULPS

A terrific, must-have collection.

Vast two-volume anthology of horror and supernatural fiction, precisely divided along lines drawn by the modern American experience.

Editor Straub’s first volume gathers tales that express the sense of “instability” that developed from the erosion of the 18th-century faith in reason and essential human goodness, resulting in an implicit consensus of doubt and fear. Standard classic stories from such masters as Poe, Hawthorne, Ambrose Bierce, Henry James and Edith Wharton are inevitably and rightfully displayed. (Wharton’s “Afterward” is magnificent.) But many readers will be most intrigued by several truly impressive sleepers. Among the best of these are Harriet Spofford’s deliciously ironic “The Moonstone Mass”; Sarah Orne Jewett’s understated, dialogue-driven “In Dark New England Days”; Stephen Vincent Benét’s stunning re-creation of the traditional folktale “The King of the Cats”; and Henry S. Whitehead’s improbably persuasive Haitian voodoo tale, “Passing of a God.” Volume Two’s contents reflect confused and perturbed reactions to radical changes in people’s daily lives and the larger world around them during periods of instability beginning around the time of World War II and extending into the dizzying technological changes of the past quarter-century. A handful of dated or overwrought clunkers (from Tennessee Williams, Anthony Boucher, Stephen King, et al.) aside, this is a valuable selection of excellent, often deeply disturbing stories. The choicest include “Smoke Ghost,” Fritz Leiber’s brilliant paranoid’s-eye view of industrialism run amok; Shirley Jackson’s subtle, moving “The Daemon Lover”; Davis Grubb’s neatly twisted piece of American Gothic, “Where the Woodbine Twineth”; Jeff VanderMeer’s nightmarish Korean War story, “The General Who Was Dead”; “Stone Animals,” Kelly Link’s sublime creation of an eerie alternative reality; and “Family,” one of Joyce Carol Oates’ best pieces ever.

A terrific, must-have collection.

Pub Date: Oct. 1, 2009

ISBN: 978-1-59853-047-6

Page Count: 750

Publisher: Library of America

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2009

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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