by Peter Wohlleben ; illustrated by Cale Atkinson ‧ RELEASE DATE: April 21, 2020
Overworn coattails.
Writing a fictionalized version of himself, naturalist Wohlleben gives lessons to orphaned talking squirrel Piet as they search for tree families in this stripped-down storybook version of The Hidden Life of Trees (2016).
Both Peter and Piet have cartoonlike faces with round, black eyes, and the scenery—bright with earth tones and generic foliage—also resembles bland commercial animation. While Peter presents as a ruddy-faced white man sporting a gray beard, the only other named human—Dana—is a woman of color, dressed in overalls and engaged in sustainable forestry. Kudos for this. Otherwise, the text tries too hard to intersperse interesting facts about trees and squirrels—some rudimentary, others relatively obscure—into a simplistic plot: Lonely squirrel seeks family; takes walk with Peter; still feels lonely; gains Peter as family. Among other things, young readers learn that trees often need the protection of older, taller trees to grow up properly; that heavy equipment compacts earth too hard for seeds to get started; that hawks prey on squirrels; that squirrels help start beech seedlings; that some trees release an orange-smelling distress signal. Oddly, Peter gives no credit to people planting saplings in the wake of deforestation, since these unprotected trees will “have a hard life” without families. Can You Hear the Trees Talking? (2019) superbly adapted Wohlleben’s bestseller for middle graders; this patronizing attempt to bring it to a still younger audience fails.
Overworn coattails. (foreword, endnotes) (Picture book. 3-5)Pub Date: April 21, 2020
ISBN: 978-1-77164-457-0
Page Count: 40
Publisher: Greystone Books
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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