Lucid and insightful, Mathers presents death and grief as natural processes with compassion and great care.
Lottie the hen must say goodbye to her beloved aunt Mattie in this gentle story about loss, grief and friendship.
When the hospital calls to say Aunt Mattie is getting weak, Lottie journeys to see her. On the long bus ride, happy memories surface—of shared picnics and jokes, and of Mattie herself, a bird full of humor and gusto, who found her calling as a nurse. But now Aunt Mattie is 99, ready to fly to the great beyond. For hours, Lottie sits with her aunt at the hospital. Descriptive details (the sound of Aunt Mattie’s breathing, the way she looks in the hospital bed, the feeling of day turning to night) are simply captured; yet in doing so, Mathers brings meaning to the clinical and unfamiliar. Here, these moments are precious and valuable. Throughout the tale, Lottie’s friend Herbie is a comforting presence. His innocent perspective allows even the very young to grasp complex concepts. As he drives Lottie to the bus station, meets her at the hospital and shares in her heartache, it’s clear his friendship and support make this difficult time bearable for Lottie. Together, the two scatter Aunt Mattie’s ashes in the ocean, so she’ll “always be near...mixed in with sand and sea.” Watercolor illustrations, painted in mostly square panels and organized like an old newspaper comic strip, are earnest and appealing.
Pub Date: Sept. 9, 2014
ISBN: 978-1-4814-1044-1
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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