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IDEAS ARE ALL AROUND

In all, Stead has given readers a deeply felt, deeply connected story that is homage to creation—and really quite brilliant.

A ramble through the neighborhood gets the creative juices going in this picture book.

“I have to write a story today” the narrator begins. “But today I don’t have any ideas.” Ah, tension right off the bat. In this whimsical meditation on the creative process, the narrator takes readers around the neighborhood while walking the dog, Wednesday. The narrator greets Frank, the painted turtle, hears birds, and has coffee with a friend. Stead’s sophisticated illustrations, which combine monoprints, collage, and Polaroid photographs, mesh perfectly with the narrative’s undercurrent that inspiration is both immediate in its moment-to-moment observations and timeless in its themes of humanity. A blob of spilled paint that looks like a blue horse is introduced into the story early and visually carried throughout, becoming the symbol (as it was for Eric Carle’s book, The Artist Who Painted a Blue Horse (2011), and Franz Marc’s painting, Blue Horse) of individual creativity. As a story of finding inspiration, younger readers will appreciate Stead’s gentle ramblings of imagination and observation. Older readers may begin to pick out the connections that inspire within the small acts of living—planting a flower seed, petting a dog, staring at the clouds, and conversation with a friend.

In all, Stead has given readers a deeply felt, deeply connected story that is homage to creation—and really quite brilliant. (Picture book. 4 & up)

Pub Date: March 1, 2016

ISBN: 978-1-62672-181-4

Page Count: 48

Publisher: Neal Porter/Roaring Brook

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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HOW TO CATCH A DADDYSAURUS

From the How To Catch… series

This frenetic ode to fatherhood is predictable fare but may please series fans.

It’s time to look for the elusive Daddysaurus.

In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)

This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)

Pub Date: April 1, 2023

ISBN: 978-1-72826-618-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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