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VERNON IS ON HIS WAY

SMALL STORIES

Cleverly bringing the narrative full circle, Stead has crafted a caring community where sadness is mitigated by quiet...

The compassionate toad who stole readers’ hearts in A Home for Bird (2012) now appears in a long-form picture book with three chapters.

In “Waiting,” the amphibian sits atop a snail shell, a flower his only companion. An undecorated white background conveys the empty boredom surrounding this activity—a sentiment to which children will relate. Unexpectedly, the snail eventually emerges and carries Vernon into the next story. His forest world, executed in gouache, crayon, pastel, and charcoal, feels familiar. The pages are framed with loose green loops of vegetation and chalky blue strokes of sky. Stead has a gift for expressing the emotions and dialogue that accompany the uncertainties of childhood—those anxious, wanting-to-be-right-but-not-quite-knowing-the-rules moments. In “Fishing,” Skunk and Porcupine join their friend, and although Porcupine feels inadequate because he doesn’t know how to fish, in reality none of them do. At the climax, lit by a sunset, the trio invents their own version of the sport; listeners feel a combination of in-the-know pride—and relief. “Gardening” finds Vernon missing Bird: “But sometimes…my memories are not so easy to remember.” Working, resting, seeking out things Bird loved, and thoughtful friends are factors in his renewal.

Cleverly bringing the narrative full circle, Stead has crafted a caring community where sadness is mitigated by quiet kindnesses and an unhurried joy in nature—a fruitful model. (Picture book. 4-7)

Pub Date: June 5, 2018

ISBN: 978-1-62672-655-0

Page Count: 69

Publisher: Neal Porter/Roaring Brook

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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