The author of an adult study of the history of lynching addresses a younger audience in this stirring tribute to an African-American journalist who, more than any other single figure, is associated with bringing the despicable practice to an end. Born a slave, Wells grew up to be a dedicated reformer who took on a number of social injustices in the course of a long career. Dray retraces the biographical high spots, then closes with a photo-enhanced look at her later achievements and a capsule history of lynching. Adding strong notes of reverence to the narrative, Alcorn’s big cubist paintings center on Wells, who is often seen floating gracefully, surrounded by people with downcast eyes and tilted heads, fluttering pages of print and scales or other symbols. Capped by a well-chosen list of additional resources at several levels, this handsomely packaged introduction to one of the most important progenitors of the Civil Rights Movement is just the ticket for young readers not yet ready to tackle the Fradins’ definitive profile. (Picture book/biography. 7-9)
Pub Date: Feb. 1, 2008
ISBN: 978-1-56145-417-4
Page Count: 48
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Spinning lively invented details around skimpy historical records, Taylor profiles the 19th-century chef credited with inventing the potato chip. Crum, thought to be of mixed Native-American and African-American ancestry, was a lover of the outdoors, who turned cooking skills learned from a French hunter into a kitchen job at an upscale resort in New York state. As the story goes, he fried up the first batch of chips in a fit of pique after a diner complained that his French fries were cut too thickly. Morrison’s schoolroom, kitchen and restaurant scenes seem a little more integrated than would have been likely in the 1850s, but his sinuous figures slide through them with exaggerated elegance, adding a theatrical energy as delicious as the snack food they celebrate. The author leaves Crum presiding over a restaurant (also integrated) of his own, closes with a note separating fact from fiction and also lists her sources. (Picture book/nonfiction. 7-9)
Pub Date: April 1, 2006
ISBN: 1-58430-255-0
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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