Delightful whether or not you’ve ever attempted to play a stringed instrument.
Valentine's violin teacher says he's doing very well, but the effect of his playing on others is dramatic in a different sense.
Dutch illustrator Hopman, known for his collaborations (Tom the Tamer, written by Tjibbe Veldkamp, 2011), proves he can solo as well in this entertaining riff on the sounds of a beginning violinist, published here in lively, colloquial translation. In the text, the small boy tries out various well-known pieces such as Ode to Joy, Water Music and Marche Militaire. The pictures show the result: People scatter; horses leap; a constipated wolf produces an enormous poop; a dragon flees; an army retreats. Hopman’s engaging paintings are set with a narrow white border on double-page spreads. Loose-lined pen-and-ink drawings with pastel watercolor wash include intriguing details. There’s a high-ceilinged music studio full of art, a walled city with canals reminiscent of Venice and a castle besieged by an army that uses both elephants and Viking boats. This medieval fairy-tale world adds to the absurdity of the story, which seems to end well, as Valentine’s talent wins him the opportunity to perform in court. Or perhaps it doesn’t. The final endpapers show birds flying away from his concert for the king and queen.
Delightful whether or not you’ve ever attempted to play a stringed instrument. (Picture book. 5-9)Pub Date: Sept. 1, 2012
ISBN: 978-1-935954-17-0
Page Count: 32
Publisher: Lemniscaat USA
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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