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FIELD GRAY

An accomplished thriller.

When fans meet Bernie Gunther in this latest saga in the adventurous life of the hard-bitten, sardonic policeman, Kerr's (If the Dead Rise Not, 2010, etc.) stalwart Berliner detective is in pre-Castro Cuba.

But Cuba is no refuge. To prevent being forced to work for Batista, he tries to sail to the Dominican Republic, only to be caught by a U.S. Navy patrol boat. It doesn't help that his passenger is a rebel partisan wanted for murder. Gunther's identity discovered, he is sent first to a military prison in New York City and then to the infamous Landsberg prison where the Weimar Republic held Hitler and where the Allies interrogated, tried and sometimes hanged Nazi war criminals. It does no good for Gunther's future that he had served in a SS military police unit on the bloody Eastern Front and had more than a passing acquaintance with devils like Reinhard Heydrich. Kerr propels the story, framed around historical facts and characters, through several flashbacks. The author's ironic perceptions find an SS colonel quoting Goethe as he presides over the massacre of a town full of Jewish civilians and Gunther wryly observing the Franzis (French), the Amis (Americans) and human nature in general: "Sometime morality is just a corollary of laziness." The flashbacks are easily followed, from pre-war Berlin to the murderous hell of the 1941 Eastern Front to postwar slave-labor camps behind the Iron Curtain. Those dealing with Gunther's search for a German communist in 1940 France are truly revealing, especially the descriptions of historical places like the concentration camps in Vichy France. While some might quibble over occasional long sequences of dialogue that would be better served with tags, Kerr writes Gunther as he should be—world-weary, sardonic and as independent as an introspective man might be as he ricochets between murderous criminals, hell-bent Nazis or revenge-minded communists. The double-double cross denouement suggests Gunther will live to fight another day.

An accomplished thriller.

Pub Date: April 14, 2011

ISBN: 978-0-399-15741-7

Page Count: 448

Publisher: Marian Wood/Putnam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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