by Philip Nel ‧ RELEASE DATE: Sept. 1, 2012
Likely to become the go-to biography of these two iconic figures—for specialists, but not just those in children’s...
A thoroughgoing, if dispassionate, portrait of two relentlessly creative types whose contributions to children’s literature—epochal as they are—make up only part of the story.
While Krauss’ A Hole Is To Dig (1952) and Johnson’s Harold and the Purple Crayon (1955) are well-known classics of children’s literature, Nel (Director, Kansas St. Univ. Program in Children’s Literature; The Avant-Garde and American Postmodernity, 2002, etc.) makes sturdy cases for regarding Johnson’s comic strip Barnaby as a landmark in the history of cartoons, and Krauss as a significant creator of avant-garde poetry and theater pieces for adults in the 1960s and ’70s. Aside from shared interests in each other and in leftist politics, the two seem better defined here by their differences: He was big, quiet and bearlike, she was small and intense; he thought of himself as a cartoonist, she as primarily a writer. His most renowned published work largely reflects his own experiences and inner child; hers (for younger audiences) was inspired by observations of, and overheard remarks by, actual children. They collaborated on just four of their many dozens of books. Later in their lives, while she was making a splash in the New York cultural scene, he took to painting visual representations of mathematical and geometrical formulas—many of which are now in the Smithsonian Institution. Succumbing only occasionally to the temptation to drop tedious lists of family, friends or famous guests at various functions, Nel draws on a decade of archival research and more than 80 interviews to track their personal and professional relationships—notably with Maurice Sendak, whose career was launched with his illustrations for A Hole Is To Dig, and the entertainingly fiery editor Ursula Nordstrom—and multifaceted careers.
Likely to become the go-to biography of these two iconic figures—for specialists, but not just those in children’s literature.Pub Date: Sept. 1, 2012
ISBN: 978-1-61703-636-1
Page Count: 400
Publisher: Univ. Press of Mississippi
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Dr. Seuss & edited by Philip Nel
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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