by Philip Pullman & illustrated by Ian Beck ‧ RELEASE DATE: Aug. 14, 2001
With characters supplying punch lines and side commentary in Beck’s vigorously inked cartoon illustrations, Pullman briskly reworks Perrault’s tale of an orphaned miller’s son who, thanks to a quick-witted feline companion, sets a new standard for rapid upward mobility. Though several incidents drawn from other folktales have been interpolated, the cat still does most of the work, pulling strings behind the scenes to help young Jacques, posing as the Marquis of Carabas, to meet the King of France’s daughter, then to pass a pair (or a trio, according to the picture) of insomniac ghouls (“ ‘If we can’t sleep . . . we’ll take all your bones out through your nose and play pick-up-sticks with ’em . . . ’ ”) in order to rescue her from a wonderfully snaggle-toothed, coarse-featured ogre. The author sets his renowned gift for breathlessly paced storytelling at full throttle, and the result, at once briefer and broader than Fred Marcellino’s urbane version (1990), will leave younger audiences enthralled. (Picture book/folktale. 7-9)
Pub Date: Aug. 14, 2001
ISBN: 0-375-81354-3
Page Count: 32
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2001
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Jerdine Nolen & illustrated by Kadir Nelson ‧ RELEASE DATE: Sept. 1, 2003
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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