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SERPENTINE

From the His Dark Materials series

Pullman in any mood is worth catching, though this is about as slight as he gets.

In an episode set shortly after the end of The Amber Spyglass (2000), Pullman sends Lyra Silvertongue back to the town of Trollesund for an illuminating chat.

Originally written for a charity fundraiser in 2004 and dusted off at last for general release, the brief tale is extended by a surfeit of somber black-and-white prints that, with help from wide line leading and spacious margins, bring the compact volume’s page count to a respectable level. The quickly told story feels tucked in amid views of remote figures and empty streets, mingling with straight filler and pictures of sinuous daemons and people with distant expressions posed in various static configurations. It’s built around a conversation between Lyra and the enigmatic Dr. Lanselius, consul for the witch clans, in which Lyra wrestles with how the knowledge that she and Pan can separate and have experiences of their own may come to change their relationship. As the author points out in his afterword, just such a profound change plays a prominent role in The Secret Commonwealth (2019)…and so Lyra’s troubled reach for understanding here prefigured it. If this catches Pullman in a ruminative mood, unlike the earlier spinoff Once Upon a Time in the North (2008), illustrated by John Lawrence, which is an action-oriented minimasterpiece, still there are references aplenty to past events and lively interchanges between Pan and Lyra to keep less-introspective fans from flagging.

Pullman in any mood is worth catching, though this is about as slight as he gets. (Fantasy. 9-12)

Pub Date: Oct. 15, 2020

ISBN: 978-0-593-37768-0

Page Count: 80

Publisher: Knopf

Review Posted Online: Oct. 15, 2020

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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