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KASPER IN THE GLITTER

Enticing young people to leave the brightly lit Glitter and join him in the decrepit part of town known as The Gloom, a parent-hating, teenage bully sets himself up as King Streetwise in this plodding British farce from Ridley (Krindlekrax, 1992, etc.). Kasper Whiskey, having spent all of his ten years with his indolent mother, Pumpkin, in her beauty parlor surrounded by leveled buildings, has never met anyone his age until the day he catches Heartthrob Mink, one of King Streetwise's troops, stealing roses. When Pumpkin's prized brooch disappears, Kasper sets out in pursuit. Streetwise is looking for Heartthrob, too, for helping his intended queen, Hushabye Brightwing, escape; Kasper joins the hunt but is so offended by the king's tactics that he switches sides and brings the two fugitives to the beauty parlor. Ultimately, Pumpkin turns over a new leaf, Heartthrob deals the king a black eye, the brooch turns up, and Hushabye declares her love for Kasper. Cautionary messages about bad friends and the dangers of running away are woven into a story that, for all its quirky elements and exaggerated characters, never hits the funny bone; few readers will notice that the king sounds like Elvis, nor will they attach much hilarity to repeated glimpses of Kasper's skill at whipping up a kind of banana cream pie. Riddell's black-and-white drawings have an expressive, graphic-novel-style sophistication, but can't leaven this leaden effort. (Fiction. 11-13)

Pub Date: Aug. 1, 1997

ISBN: 0-525-45799-2

Page Count: 204

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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