Although their fates are known, Gregory creates suspense by raising intriguing questions about whether her characters will...
The latest of Gregory’s Cousins’ War series debunks—mostly—the disparaging myths surrounding Richard III and his marriage to Anne Neville.
Anne and her sister Isabel are both used without hesitation as political bargaining chips by their father, Richard, Earl of Warwick. True to his sobriquet, "Kingmaker," Warwick engineered the downfall of the Lancastrian King Henry VI after Henry succumbed to mental illness and supplanted him with Edward IV, scion of the Yorkist-Plantagenet claims to the English succession. Increasingly disenchanted by the degree to which Edward is allowing his queen, Elizabeth Woodville, to dole out favors to her large family, Warwick marries Isabel off to George, Duke of Clarence, Edward’s brother, on the theory that George, next in line for the throne, can dislodge his older brother. When George fails at this, Warwick gives Anne, barely 14, in marriage to Henry’s son, Edward and, together with his former enemy, Margaret of Anjou (Henry’s exiled consort), attempts a coup that fails miserably, bringing us to the time period chronicled in Shakespeare’s Tudor/Lancaster-biased take on events. With her father and new husband slain in battle and mother and mother-in-law either in prison or otherwise defanged, Anne is left penniless. Her brother-in-law, George, and her own sister have taken her inheritance and are keeping her a virtual servant. King Edward’s youngest brother, Richard, rescues Anne, marries her and uses some unorthodox means to regain her inheritance (while ensuring that it all belongs to him). The marriage, unlike the sinister seduction depicted by Shakespeare, is presented as a genuine love match (aside from some doubt about that tricky prenup). The chief threat to the realm is not Richard but Queen Elizabeth: A reputed witch with a grudge against Warwick’s daughters (Warwick killed her father and brother), she will not be happy until Isabel, Anne and their progeny (and if necessary her brothers-in-law) are dead.
Although their fates are known, Gregory creates suspense by raising intriguing questions about whether her characters will transcend their historical reputations.Pub Date: Aug. 14, 2012
ISBN: 978-1-4516-2607-0
Page Count: 432
Publisher: N/A
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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